Miranda Otto Shares Perspectives on Her Career, Devoted Fans, and Unexpected Gifts.
Through a thoughtful interview, Miranda Otto opens up on topics ranging from her newest character as Queen of the Cuttlefish to the profound lessons gleaned from onstage mishaps and fan interactions.
If You Could Be a Fish for a Day
Your latest role is Queen of the Cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would you choose and why?
Without hesitation, the blue groper found at a specific shoreline – since it is a local landmark, and individuals visit to see it. I just think it’s cool that there’s a local fish that people actually go and see and discuss – it’s a special fish.
A Film Staple to Return To
What film do you repeatedly watch, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I adore this film. During my childhood, it used to come on television occasionally, and once I recorded it. I just thought it was so funny. It’s Carole Lombard and comedian Jack Benny. Recently they were playing it at a cinema and I discovered that it was the preferred movie of a friend of mine, and so we went and just laughed repeatedly. It’s such great piece of comedy and all the actors in it are fantastic. Mel Brooks remade it in the 1980s – which was not as effective. But the original film is an exceptional farce, to be watched regularly.
A Priceless Lesson Learned From a Co-Star
What is the most valuable lesson you learned from someone a colleague?
Years ago I performed in A Doll’s House alongside Peter O’Brien – my husband now, but back then we were not together. We were playing opposite each other and on opening night I tripped up – I skipped forward some dialogue in the script. I didn’t know of my error but I suddenly realised things were off. I recall looking at him, and he expertly rescued the moment, and then our performance took off again and went really, really well. However, I believe the insight gained then was, firstly, always trust the people in your scene. When you lose your place, by looking and look at the actors sharing the stage with, you can rediscover your correct position somehow. It’s such communal thing, performing live. And secondly, to maintain a lighthearted attitude about it. Occasionally when a mistake occurs, things actually spark off in a really great way provided you are really present in that moment. It can be an unexpected boon when things go absolutely awry.
Memorable Interactions with Fans
Can you describe your most touching interaction with a fan?
There isn't a single specific meeting but when I encounter devotees of Lord of the Rings, particularly women, I hear a lot of accounts about how that character impacted them when they were younger … things that had happened in their lives and how much that character signified for them and was a form of support to them during those periods.
Which questions get asked about the most by Lord of the Rings fans?
The most detailed inquiry concerns invariably regarding the stew her character prepares for Aragorn. “Did that stew taste as terrible as it looked?” It has evolved into such a joke, the entire episode about the stew, and all fans wish to know what was in the stew, and how was it made, and in your opinion she’s a better cook now, or do you think she really is a bad cook? People are, in my view, obsessed with the comedy of that scene. And I go into lengthy descriptions listing the ingredients that constituted the concoction – because I remember what they did; like they even adding pieces of colored thread to make it look like bits of veins in the meat. The crew employed great detail to make it look as unappetizing as possible.
A Cringeworthy Celebrity Encounter
What was your most cringeworthy run-in with a famous person?
I was at a fitness session and there was a woman on a mat doing pilates, and the instructor said to me, “Oh, Miranda, this is Miranda.” And I attempted some joke inquiring, “oh, are you a journalist?” Because it’s an unusual name and most of the time when I meet another Miranda, they’re a journalist. I hadn't properly identified her. And as she rose, it was Miranda Richardson. Then I didn’t know words. I was obliged to complete my class, and I felt intense awkwardness. I wanted to say: “Oh my gosh, I am aware of your work!” I think her talent is immense and I was just too starstruck to utter a syllable.
The Source of a Moniker
It’s been repeatedly stated that you were given your name from Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned stating otherwise – can you clarify this once and for all?
Indeed, I was named after a district in Sydney. My mother heard on the radio that they were opening a mall at Miranda, and the name sounded like a nice name.
Pandemonium on Location
What was the chaotic thing that’s ever happened on set?
While working in Brazil on Reaching for the Moon I experienced the most chaotic set of my career, and yet the film emerged incredibly well. But the local crew operated in a distinct manner. The sense of time there is unique. In Australia, you receive a schedule and you have to be on set by a certain time. But this was sort of flexible – you come on set whenever you happen to be ready. It was a really different way of working for me. All aspects were being assembled at the very last minute, and at times the plan was unclear the next location or how we were going to do it. And then I would be in the middle of a scene and be like, “What was that noise that disturbed the scene? Ah, it was the producer opening some champagne during filming, to start a party.” The result was excellent, but goodness, it’s a really different approach to film-making.
A Hidden Talent
What are you secretly good at?
I’ve always been an aptitude for numbers. I memorise numbers easier than I memorise words a lot of the time, I’ve just got a numerically-oriented mind. So I think had I not pursued acting, I likely might have entered a field something to do with numbers, like math or finance.
The Finest Guidance Ever Received
What is the greatest piece of advice you have ever received?
During my time in high school, a speaker came to speak as we were graduating and stated, “have no fear to fail” … which I think is supremely valuable counsel, because you learn far more from setbacks than you learn from triumph. With success, one rarely comprehends precisely why it happened. With failure, the lessons are abundant.